Influential Artist Sir Michael Craig-Martin Discusses Criticism and Creativity
Sir Michael Craig-Martin expressed that he has received "terrible things" said about his artwork. At 83 years old, he shared these insights with Sky News ahead of a significant retrospective at the Royal Academy this weekend. He asserted, "If you can't survive criticism… you're in the wrong game."
A Journey through Artistic Innovation
As an influential figure of his generation, Craig-Martin’s lengthy career is showcased in this retrospective. It includes early experimental sculptures, pivotal conceptual pieces, and a newly created immersive digital experience. Despite the acclaim surrounding his work today, the artist recalls harsh criticisms in his past: "I've had terrible things said about all the work that now people think is wonderful."
The Challenge of Perception in a Visual Age
Much of Craig-Martin's painting features modern icons such as iPhones and laptops. He pointed out that technology has complicated how audiences engage with art. "We've become probably the most visual age there’s ever been, yet it’s harder for people to actually look," he stated.
Art requires attention and time. He remarked, "[Paintings] don’t move - you have to come to them, you have to give them a little time." His observation highlights a shift in society’s attention span, where people often expect instant engagement.
Accessible Artistry in Everyday Objects
Craig-Martin's large-scale paintings depict everyday items, showcasing their broad relatability. "What’s ordinary is what unites everybody," he explained. This sentiment emphasizes the significance of common objects in his art.
When he paints items like coffee cups, it transforms their perception. This marks the object with presence and dignity beyond its everyday utility. To Craig-Martin, art changes how we view what surrounds us.
A Lasting Impact on Art Education
In his 80s, Sir Michael’s art commands global demand. He is not just recognized for this vast success, but also for his influential teaching career. In the late 80s, his students at Goldsmiths became notable figures known as the Young British Artists (YBAs), including Damien Hirst and Sarah Lucas.
Reflecting on their early success, he advised these young artists, stating, "If the door opens, it’s best to go through it." Such guidance proved pivotal for their artistic journeys.
A Conceptual Era Bridged by "An Oak Tree"
In 1974, Craig-Martin gained attention with his piece, An Oak Tree. Now considered a seminal work in conceptual art, it features merely a glass of water on a shelf rather than large logs. This piece challenges visitors to reconsider their notions of art.
"People often do say to me… it changed my idea about what I thought art was," he remarked, noting the piece's profound impact.
Michael Craig-Martin's immersive work continues to challenge perceptions of the ordinary, affirming his status as one of today's most extraordinary living artists.
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